Rakul appears in the second half, cries a lot of the time, looks fawningly and adoringly at Arjun for the rest, and lends herself to a couple of songs. Catherine Tresa plays an MLA like she would play a college girl - albeit one who would wear sarees. He does his best but cannot make the film likeable. It is a surprise that Allu Arjun agreed to do this movie - such mindless violence and mass dialogues hardly suit him. The second time, he manages to hold someone close to Gana hostage and beat up Gana for a while before being killed. The first time he's in front of Gana, he gets beaten up and thrown into a ditch. Aadi Pinisetty looks stylish but does nothing except kill really old people. The songs come exactly at moments you don't want them to, and the action goes totally overboard. Once the second half begins, though, it all descends into chaos. The interval point is actually a decent masala moment that sets the pulse racing. The first half proceeds at a decent pace, and Annapurnamma, Vidyu Raman and Brahmanandam manage to evoke a few chuckles. The film follows the perfect template - intro fight, song, family comedy, fight, song, comedy, song, interval bang, interval, flashback, item song, fight, comedy, melody song, comedy, fight, fast-paced song, climax, beheading, end. How this tussle between Gana and Dhanush is resolved forms the rest of the plot. This and a few other incidents lead him into direct confrontation with Vairam Dhanush (Aadi Pinisetty), the son of the state's CM. By the interval, a pretty girl named Janu (Rakulpreet Singh) runs into the frame seeking protection and Gana immediately jumps into the fray. He runs into Hansita Reddy (Catherine Tresa), an MLA, and actively starts stalking her in the hope that she will fall in love with him. Gana (Allu Arjun) is a veteran who returns from the army and struts around the city delivering his own brand of vigilante justice. The film does have a plot interspersing all the violence, and here's how it goes. Fittingly enough, the movie ends with a beheading. If this does not disgust you, then Sarainodu can perhaps still find enough of an audience. One of them then sits on top of a jeep with a knife in hand and goes around slashing the throats of all those who lift their heads from the slush. His goons stab twenty-odd people twenty-odd times each and then throw them in a mire full of slush.
In another instance, the villain goes to a village with a few hundred henchmen. Sarainodu shows a rape scene where the rich and depraved criminal smashes up the girl and ends up killing her, and then says, "I don't care if she's dead, come hold her." We switched off at that moment, and everything that happened after that only served to distance us further from this movie and its sick content. You'd indeed need some kind of warped or twisted mind to come up with the kind of violence Boyapati shows in his movies. Indeed, if Sarainodu had a shot of Allu Arjun beating up Boyapati Sreenu, this reviewer, for one, would've risen and pumped his fists in approval.
And he uses it so much that it makes the audience want to unleash the fury on him instead of on the villain. Boyapati Sreenu knows this formula well - only, maybe at bit too well. Make the villain a monstrously powerful and heinously repulsive guy that the audience wants brutally bludgeoned - when the hero eventually does this, the audience erupts and your movie is a superhit. It was released on 17 June 2005.All of us know an age-old formula of making an action film work. It was directed by S.Shankar who is known for his film Gentleman (1993). 5- AnniyanĪnniyan (Aparachit) revolves around the character Ramanujam “Ambi” Iyengar (Vikram) who has a disease called multiple personality disorder and Nandhini Krishna (Sadha) is playing his love interest in the movie.Īmazing story and brilliant screenplay with Vikram’s acting, this movie comes under a must-watch movie list. It has set a benchmark in Telugu cinema.” The film was released on 4 June 2010 & directed by Krish. Vedam is a beautiful confluence of writing and technical aspects. It offers hope to the audience interested in good and sensible cinema that such a film can be made in Telugu. Rediff’s Review “Vedam is a must-watch for its story, screenplay, direction, and technicalities. Vedam is a film that was applauded by not only the audience but also by Critics. Read: Bangarraju Release Date, Star Cast, Production, Teaser, Poster,Trailer & More News
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